A View from the Bridge Essay Example for Free

A check from the couplet EssayA View from the Bridge by Arthur Miller is a sportsman describing the personal matters of the Brooklyn dockworkers of post war America. The play is as colourful as the lives of those it depicts it contains aspects of love, hatred, passion, suffering, pain and despair (to name but a few) but what of calamity? In order for a play to be a calamity it follows that it must have sad elements to its plot but what are these elements? Why are they considered tragic?And some importantly of totally In what from are they present in A View from the Bridge? respondent this question requires that we obtain a sound definition of tragedy in the classic sense, and for this task I refer throughout to Aristotles Poetics. Over the next few pages I will be examining the main events and aspects of the play, demonstrate how explicitly they follow the principles outlined by Aristotle, therefore earning the tragic title.Foremost in a tragedy is the virtuoso he i s the hub around which the events of the play rotate, without whom all would soon crumble. In classic tragedy the protagonist is usually distinguished early in the play the protagonist in A View from the Bridge is established from the outset. An early stage direction sees Eddie pitching coins with the men and is high unfoundeded among them this and Eddies prominence in the following family sight firmly establish his role as the stretch forth character.Once this entity has been confirmed we must then evidence his character. In the first family flick Eddie is shown to command the love and respect of both his wife and niece Beatrice claims that he is an holy person and that Godll bless him and Catherine greets him enthusiastically Hi, Eddie This show of love has the effect of portraying Eddie Carbone in a favourable light and raising the audiences opinion of him. This was a deliberate effort on Millers part to satisfy one of Aristotles necessities for tragedy, that the tame role should embody nobility and moral excellence as part of his/her innate character. Initial nobility and virtue serve to accentuate the eventual demise of the character and heighten the sense of loss felt by the audience.The family love of the opening shooting, while serving a purpose, is notably ordinary and not at all unusual. At first glance Eddie Carbone seems a surprisingly normal figure He is forty- a husky, meagerly overweight longshoreman. This normality however serves a very important purpose, it allows the audience to identify with the character, a exigency for the tragic hero since he has to command sympathy, pity, and later invoke fear. Another tragic requirement is that the lead character must have a certain flaw, or imperfection, known as hamartia which serves to foundation the characters demise. This is present in A View from the Bridge and is subtly exposed in the first scene when Eddie is pleased and therefore shy about it when Catherine lovingly greets him. The f irst family scene can therefore be described as tragic because it complies with tragic ideals, and establishes both the character of the protagonist and his fatal flaw deuce essentials of tragedy.Following this scene I was aware of the potential for catastrophe (in Eddies incestuous love, and over protectiveness) but was at a loss as to how this potential was to be realised. This invoked in me as the reader or as a member of the audience a sense of or intense foreboding and fretting anticipation because the catastrophic ending was foretold in Alfieris warnings and anxiety because I did not know what form this catastrophe would take.My anxiety was relieved upon the arrival of the immigrants, when I realised the means by which the potential was to be realised. As the scene progresses Catherines attraction to Rodolpho is made apparent. Catherine wondrously asks Rodolpho about his hair, and is enthralled by his singing she asks if he is married and references to scribble you like sug ar? -Sugar? Yes I like sugar very much imply that they are sweet-smelling on each other. This affection unnerves Eddie, who, upon hearing Rodolphos rendition of Paper Doll interrupts as soon as flirtation is mentioned and then those flirty, flirty guysWill have to flirt with dollies that are real. This scene, while not satisfying any tragic ideas wholly in itself, helps with the progression of the tragedy since it develops the fatal flaw, Eddies love for Catherine. It also informs the audience of the course the play is to take, accentuating the sense of fate or inevitable progression.